We who study ancient Mediterranean texts tend to be concerned with successfully transmitting the past: from scribes copying to performers memorizing, we highlight the preservation of what has come before. Even our departures from the preservation model still emphasize direct connection to the past. New texts rewrite, interpret, or even defy older ones, but in doing that, continue to reflect them.
But what if forgetting is just as important a part of ancient text production as remembering? What new insights might we gain if we change our emphasis on forgetting as loss to forgetting as a site of productivity? In this workshop, we will explore how forgetting functions within the literature of Jewish antiquity and what the forgotten yields in terms of creativity in the tradition. While remembering texts bring them forward in time, the very process of transmission requires disconnection from predecessors and originals, abandoning some details, obscuring others, and combining precursors in creative ways. We will examine examples of literary creativity as acts of cultural forgetting intertwined with memory, theorizing the role of loss in the formation of the tradition.
[Image Credit: Guy Laramée, Whale. https://guylaramee.com/project/2017-18/ ]